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Course Description

This course introduces students to the history of cinema from the 1890s until 1960. The course begins with the experiments of Louis Lumière, the creation of cinematic language by D.W. Griffith, and the development of “montage” by Sergei Eisenstein, the course surveys the changing aesthetics, narrative styles, and ideologies in German, Russian, French, Italian, and Hollywood cinema of the first half of the 20th century. There are required weekly screenings outside of class.

Learner Outcomes

  • Familiarity with the poetics of silent cinema, the transition to sound, the role of genre, including the rise of documentary, animation, experimental modes, musical comedy and escapism, propaganda and social commitment.
  • Knowledge of how international studio systems and economics play a role in film history.
  • How to effectively analyze and write about cinematic art forms.

Additional Information

  • This course engages the changing aesthetics, narrative styles, and ideologies in German, Russian, French, Italian, and Hollywood cinema of the first half of the 20th century.
  • An appreciation for and understanding of film history and the greater sociopolitical, global relations of cinema.
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